Thursday, April 23, 2009

Darjeeling



Twenty years later, and the charm remains. Darjeeling really is the queen of the hills.

Journalists, I realise, need to create controversy to keep their presses rolling, their satellites humming. They have intentionally maligned not just the place, but the people who live there by making us who live in the plains paranoid about unrest and agitation. They have quite blatantly gone about making Gorkhaland the issue. Gorkhaland is not an issue. It is political machination at its worst. Small conversations with local people and this truth is quite apparent.

Let's be quite clear about one thing: Darjeeling is first and foremost a place for tourists. The tea industry comes next in terms of importance. But I seem to be guilty of the very thing that I am bemoaning. So I will correct myself: Darjeeling is first and foremost about its people and its vibrant admixture of cultures. This is the second reason for its once bustling tourism. The first reason is because of its climate. In one or two words: wonderful, glorious, rejuvenating, enthralling, ecstatic, inspiring... So its more than two words. You could find even more to describe it when you visit.

The British used India to experiment with. To experiment with politics and military, with wile and guile. Yet they also experimented with their adventurous spirit, their skills, their learning and their determination to forge ahead with new developments and pioneering ways. It is this second experiment which has left us a legacy worth wanting and keeping. The first has merely multiplied the disastrous methods independent India has worked out for itself which is reflected in our governance and policy making.

Darjeeling is a consequence of one of those second legacies. And it will soon become a ruined victim, a result of the first legacy of political wile and guile, if it hasn't already. British engineers and other skilled types made the road up from the plains to this once presumably forlorn village belonging to the Sikkim royals. They made the fantastic metre-gauge railway hug the curves of the verdant mountains and turned it into what I feel is a mobile work of art. They set up tea plantations to give us our morning/afternoon/evening and in-between cuppas. And to maintain it all, they did the next obvious thing of wile and guile

Obviously, it all came at tremendous cost, but I don't have any figures for it, so I can only guess. The original inhabitants would have been the prime sufferers. Ousted and deprived of land and property, they would have joined the ranks of labourers building British edifices on the very land they may have been removed from, and perhaps hustled into serving the ruling class as domestics and guards. Finally these folk would have had to stand by and see people from other parts come in, settle down, and make more money from their labours than they ever would or did. A very plausible scenario since it was more or less the same in other parts of British ruled India.

But to return to the present day and pleasurable aspects of this hill station, Darjeeling, I like to believe has a healing air to it. It was recommended by our family doctor when I was 8 or 9 years old and an extremely sickly child, to be removed to Darjeeling for school. The doctor was confident that the fine climate up here near the Himalayas would cure me of various illnesses which were otherwise surely leading me to an early death. He was right. I'm still around to write of it!

Every day of the five days we were there, I walked and walked and walked. At night when I slept, it was from a healthy exhaustion, and not the kind of burned-out unconsciousness that one calls sleep in the city. I ate much more than I normally do in Calcutta, and was able to digest it all without problem. Like all mountainous regions I have ever visited, I want to live here.

Life happens at its own pace here. You can't come to Darjeeling from urban despair and hope to change it around to what you're used to. I bump into Karma near the Mall, a young Nepali I know from work we did together in Calcutta. His parents live here and he's taking a break as well. He tells me he cannot ever come back to make a life in Darjeeling. Then there's Uttam, another Nepali with a well-located restaurant on the Chowrasta, who after having tried to study law, decided to return, “as there's no place better than Darjeeling”. Karma is young and has got a lot of life to go through before he gets to Uttam's way of thinking. Me? I'm with Uttam.

Just one hazy glimpse of the majesty of the Kanchendzonga peak and the eastern Himalyan ranges is enough to make me absolutely reluctant to return to the plains. I got just one day of “snow view” as they call it, but that was greater than anything I might have wanted here. I watched a lazy plume of what looked like smoke blowing off the peak of the world's 3rd highest peak. It of course was not smoke, but a snowstorm, whcih eventually affected the climate for the next 3 days of my stay in Darjeeling. I never saw the peaks again after that, but we did get the other kind of fanciful weather. Mist-shrouded walks down roads edged with pine trees, a light but persistent rain resulting in a 5 degree drop in temperature in under 2 hours, and the stray sunshine that warmed the cockles of my heart.

I will return to Darjeeling of course. Soon and very soon. There are ideas i have discussed with Uttam and others and perhaps one can work out a way of living that will give one urban convenience and the mountain plenty.
*******

For more of my pictures of Darjeeling, go here.


Darjeeling, Dylan, Dalrymple

The last week or so has me indulging in these three. Darjeeling, the queen of the hill stations, I returned to after 20 years, but that's another blog. This blog is about Anjan Dutt's film, Chowrasta – Crossroads of Love, based in Darjeeling but... Dylan I listen to often and then I saw the film I'm Not There last evening. William Dalrymple's first book, In Xanadu, is what I'm reading now.

All three are stories of travels. Travels through life. Observation, imagination, fascination.

By saying that, I'm being kind to Anjan Dutt's film Chowrasta. First of all, the story, or the small stories which he recounts in his movie, could have been based anywhere else but Darjeeling. It has nothing specific to do with the place other than lending itself as a picturesque location. The town's centre point, the Mall or Chowrasta, is used as a metaphor for the interconnection of the small stories. A very forced metaphor, adolescent and immature in its approach. Quite putrid in fact. The film being dedicated to the people of Darjeeling then makes two of the main characters who are presumably Nepali and hence Darjeeling wallahs, into bumbling villains. The Bengalis in the film are the good guys of course: one who is supposed to be an eccentric tea planter but is really quite insane; the other who's a Bengali language teacher in a prestigious English medium school; the third who is a fading actress; and the last two who you keep forgetting about until they reappear or are interjected many frames later ever so randomly.

My only question here is: Why is this man – Anjan Dutt - being allowed to make film after film?

*****

Then I saw I'm Not There. Directed by Todd Haynes, it is a film inspired by the life and words of Bob Dylan whose name is never mentioned and does not feature at all in the film except as a recognisable face in the end, and the occasional and original voice of the songs that are used to link the stories. The film is about five of the many personas Dylan showed himself to be, and the way his music reflected the changes in each personality. A wonderful film overall, it also unnecessarily mythologizes the man, Bob Dylan. And it really helps if you're a Dylan fan and have followed his music from the 60s till now. For someone who didn't know much about the man (like my daughter who watched the film with me) it didn't make too much sense. Her only comment was that Cate Blanchett did a good job!

*****

In Xanadu by William Dalrymple is an account of an attempt to retrace the route that Marco Polo took to get to China, specifically Shangdu, (aka Xanadu by Samuel Taylor Coleridge), from Jerusalem. An amusing travelogue, it is full of neat observations and historical references to satisfy any armchair traveller.

We're all searching for our Xanadu. I try to find it in the mountains and the things I prefer to do. The idyllic, beautiful place remains ever out of our grasp. Perhaps that is how it should be. This vision of Xanadu that we have in our heads is probably what inspires us, motivates us to go on living and making the best of our lives. Trying to make sense of the insensible.