Thursday, September 13, 2007

My Generation


My Generation. The name of the hit song by the British band The Who from sometime in the 60s. Never did like the song that much, but am not averse to using it as the title for this posting of mine.

In my estimation 'My Generation', apart from the fact that it sounds cliched like hell, are the folks born between the mid 50s and the early 60s. Like me. We were not Salman Rushdie's 'Midnight's Children', born a decade before. We were not historical in that sense even if we were born in historical times. But then again, which times are not historical? History is everyone's interpretation, version, of their times. This is mine.

We were raised and parented by a generation born before Independence who were torn between the attractions of the era they were born in and the new, uncertain, yet promising era of when they were becoming increasingly aware of a changing world around them. And perhaps not being able to come to terms with it. We - my generation - grew up in their shadow. Greatly influenced by their thoughts and deeds, and still wantonly rebellious of it because of the times we were growing up in.

My generation was growing up at a time when the world was trying to forget the 2nd World War. But not quite well enough. It's called Post-Modernism these days. We grew up when the USA decided to wage wars on other peoples because of the conviction of their rulers that America was the natural ruler of the world. (Not that they don't so still.)

We grew up at a time when Communism, especially the versions espoused by the Latin Americans like Che and Castro, Ho Chi Minh of Vietnam, Mao in China, not forgetting our home-grown Naxalite movement, influenced so much of our lives, directly and indirectly, more so if you happened to be in Bengal's Calcutta at the time.

We grew up at a time when quite a large section of us were pleasantly surprised by the responses and reactions of some Western thinkers, writers, musicians and artists to the way their governments were handling the inevitable relinquishing and devolvement of western (read: White) supremacy. But not quite. (Perhaps not ever?)

My generation's times too were full of expectancy, naivete and confusion in newly independent India. Our own multiple cultures and sub-cultures were on edge and in varying stages of mutual discovery at that time. Western impaction and a burgeoning Indianness clashed within our sensibilities. I believe at that time, globally, a similar situation prevailed. So much was being learned and discussed, discovered and disseminated, reviewed and re-envisioned all over the world that within the perceptible chaos kernels of similitude evolved.

There were some of my generation who took sides one way or another. Like those who preferred Western thinking and lifestyles to abandon the confusing but evolving Indianness and emigrated. Others caught up in being more Indian, in causes and issues, becoming what we liked to term 'inverted snobs'. And multitudes like me, an ignored minority nevertheless, not swayed by either one or the other, opting to live in a conscious state of indetermination, of no immediate identity, subconsciously in a sphere of no ambition, of no particular political or ethnic leaning, paying heed only to our instincts and impulses, our often self-conscious desires and ideation. We wanted to be rebels without causes, even hippies, anti-establishmentarian. A lot of us achieved this. Most didn't, and didn't want to.

And those who didn't want to are those who are the decision makers and influencers of opinion today. They are those who are trying to re-live and rebuild our parents' dreams and hopes, whatever that is worth. They are the ones, who while currently making significant changes mainly in the economic and political arenas, have not yet been entirely successful in evaluating and determining social change. And so are doomed to repeat the errors of the previous generation. Maybe generations.

I qualified a paragraph ago, (a deliberate distinction), that there were some who didn't want to, and some who didn't succeed in attempting to achieve a state of rebelliousness. Even without a cause it has been a preferred condition for me (although I personally didn't achieve it), but I wonder at others of 'my generation' who have since discarded, even disowned such thinking.

All this raving has come about from the anniversary occasion dated today - September 13 - the Founder's Day of our school. I have no nostalgia for the school other than I made friends for life who continue to think the way I do, or just empathise with the way I think. Yes, the school has contributed immensely to our upbringing and education but it has not been as significant as others see it, despite the many years we spent there. If for some reason their lives have not been more interesting beyond schooldays then I see them as losers in life. Dead before their times.

My generation, in our heydays, believed itself liberal, changemakers, contrary, and convinced. Today I see them as never really having learned from history despite their education and learning. Today I accuse them of being culpable in raising an elite educated, but unlearned next generation. A generation raised to be extraordinarily selfish and demanding. A new generation seeking facile solutions in a superficial globalisation that is more colonial and fiscally motivated than it has ever been. A generation absorbed in the novelty of technological innovation that seeks to destroy cultural sensitivity and replace it with a boring sameness of plastic, virtual reality.

But of course there are exceptions. It is grand that we are human after all; thinking, egoistic animals. And so 'my generation' is divisive; in some way keeping to our early commonality of learning and upbringing. In some way fulfilling the expectations we shared. And with this we have progressed in ways not positively identifiable currently, yet influencing changes to come.

I have hope. I am not completely disillusioned or depressed. There is a path of chaotic change that can, must, and will be traversed. A path that will break the boundaries of tradition and norms. There will be a way that will cross barriers of distinction and ignore established ideology.

'My Generation' will live on in some. And may that tribe increase.

Tuesday, September 11, 2007

ZAWINUL - R.I.P

Joe Zawinul has died. Only 4 hours ago in his homeland of Austria. When a musician I love passes away, it's like a piece of me also goes.

For those who were adventurous with their music listening in the 70s and 80s in India, and had moved beyond The Beatles, rock'n'roll, Southern rock et al, jazz was the sound you were getting to know.
Zawinul, Pastorius, Acuna, Shorter, Badrena: Weather Report

Weather Report was certainly a band you would have heard. I know I did. Their 1974 album - Mysterious Traveller was the first recording I ever heard of theirs, and they barged into my heart and my spirit was inflamed. They became, and have remained, one of my favourite bands of all time, regardless of the genre they were reputed to represent. With the likes of Wayne Shorter on sax and the incomparable Jaco Pastorius on bass, as well as Alex Acuna nd Manolo Badrena on drums and percussion, it was no wonder that downbeat magazine of that era called WR the best jazz band in the world. On their break-up in the late 80s, I was saddened, as much as I was sad when The Beatles broke up. And then with the vagaries of international music distribution, such as it was in this country, especially for new and modern jazz, I lost touch with Zawinul as a solo artist and didn't even know he had a band called Zawinul Syndicate. Until the mid-90s when New Delhi, my home then, hosted an EC Jazzfest.

The European Community Jazz Fest was held at Pragati Maidan in the Hamsadhwani open air amphitheatre and featured some wonderful musicians from the continent, including some I was hearing for the first time like Britain's Django Bates and his incredible piece - Food for Plankton. The last day featured the greatest - who else? Joe Zawinul and the Zawinul Syndicate!

The previous two or three days of that Fest is overshadowed by my memory of ZS. Here was my musical icon playing live for me, surrounded by his keyboards, and of course his mind-blowing band. Because of the friends I had in the press who had access to the best seats in the house, and a backstage pass for after the show, I was so thrilled to be in the presence of greatness that I was struck dumb! For me that was a concert to die for. Towards the end when Zakir Hussain came on for some impromptu jamming, I was breathless. His tabla trading beats and rhythm with Manolo Badrena's Latin percussion and Zawinul's keyboard licks were like musical heaven on earth, a fitting finale that I, and all the audience didn't want.

I know I sound like a fluffy teenager as I re-read what I've written, but it's what I felt and even now, that feeling though quite dissipated, is still somewhere in me, in my head and my heart. In my soul.

I've just finished listening to Zawinul on Miles' album In A Silent Way, and now I'm going to listen to my entire Weather Report collection, as I wait to download a double CD called Brown Street from 2006 which is Zawinul Syndicate recorded live in Vienna. I'm downloading this from a torrent site and I am eternally grateful to all the powers-that-be for the invention of this facility to do so.
Weather Report in performance in 1978

What made Zawinul an icon in the music world? He wasn't so just for me, but for all music fans who love jazz, and not what my good friend David Mac calls plink-plonk! Zawinul introduced the sound of the electric piano and subsequently the synthesizer into jazz while playing with Miles Davis. But he went beyond jazz, or should I say he epitomised what jazz began to mean to many of us from other cultures. It was no longer the domain of the Americans. It became "world music" as we term it today. The line-ups of Weather Report, and later Zawinul Syndicate itself are indicative: American, European, Latin American, African, Indian, other Asians. He brought back to jazz (perhaps not single-handedly) what it was always meant to be - a melange, a melding, a melting pot of musics and sounds from all over the world, which when played together by like-minded musicians assumed an identity of its own, becoming a living, breathing thing we can only call... JAZZ. In that sense "world music" is a misnomer. Jazz was it before we began to split hairs.

So in honour of Zawinul, and others who have gone before him, and the yet-others who are still around doing their musical bit to bring the world truly together with peace and love through melody and harmony, this posting is my small contribution to the cause they espouse.

Sunday, September 02, 2007

What Makes You Happy?

Alfred E Neuman's smile made me happy when I was young... and still does!


David McMahon wrote in the linked blog asking us to write about what makes us happy. To start with, having known Dave since age 6 or thereabouts is quite a happy feeling! And strangely enough, I don't have him on my Blogger blogroll even though he is linked on my Yahoo 360. So I'm making amends now...

Quite a lot of things make me happy. Just being happy tops the list. I mean, haven't you sometimes felt happy for no reason at all? But here's my happy list:

2. When my daughter tells me about her day. (Actually my daughter makes me happy any way!)
3. People who smile at me, especially children and strangers.
4. Listening to my kind of music when I'm down and blue... and even when I'm not.
5. When friends tell me they love my optimism...even when I'm not.
6. The woman I love... and for several other reasons that are too intimate to get into now!
7. Remembering snippets of the past - the happy past.
8. Imagining, (or should it be foreseeing?), a happy future!
9. Just happy to have had the parents I did.
10. Sunrises... sunsets... especially in the mountains.
11. Thinking about what makes me happy... just happy to be alive and still kicking!